Image may be NSFW.
Clik here to view.
“I’m rather excited, I love a good ballet!” remarked my companion for the evening (a once budding ballerina herself). I’m so glad she wasn’t to be disappointed, and neither was I. This classical production of one of the most treasured ballets, created in 1984 by Sir Peter Wright, was a joy to behold – but beware – you are sure to fall under its spell.
The fabulously sumptuous golden sets and lavishly regal costumes were as much of a treat to the eye as the dancing. Tchaikovsky’s score, performed by the Royal Ballet Siphonia and conducted by Phillip Ellis, was equally splendid with each note perfectly captured in the dancers’ moves, musicality and mime.
The fairy tale’s narrative needs little introduction. Chronicling the life of Princess Aurora, cursed by the evil Fairy Carabosse, she is saved from death by the Lilac Fairy who promises she will instead fall into a deep sleep only to be reawakened after a hundred years by a prince’s kiss.
Nao Sakuma as Princess Aurora sparkled throughout in this technically demanding role and captured the role superbly. She performed many exceptionally difficult pieces yet consistently managed to retain her elegance, grace and composure; a significant feat.
Chi Coa as Prince Florimund was technically superb and masterful. Strong and controlled, oozing masculinity, all his moves were breath-takingly brilliant. Complementing Sakuma impeccably, they formed a stunning partnership.
Marion Tate as the insulted Carabosse exuded evil and rage, executing the malevolent character role to perfection (expect nothing less). In perfect contrast The Lilac Fairy (Yijing Zhang) radiated serenity and saccharinity beautifully as she glistened on the stage.
The principal cast was most proficiently supported by the corps de ballet. The musicality, technique and accurate symmetry of each and every dancer were remarkable. Aside from the lead roles, Laura-Jane Gibson shone throughout and especially so in her performance as The Fairy of Song.
The Sleeping Beauty is a stunning success and ends in a glistening shower of gold. Go and appreciate this extravagant production – this performance will become indelibly etched in your memory just as the fairytale already is.
Just one anomalous parting thought ‘Red heels?’ For a moment one might have been mistaken that this production was sponsored by Christian Louboutin!
For more information or to book tickets please click here.
